Three songs generated by artificial intelligence topped music charts this week, reaching the highest spots on Spotify and Billboard charts.

Walk My Walk and Livin’ on Borrowed Time by the outfit Breaking Rust topped Spotify’s “Viral 50” songs in the US, which documents the “most viral tracks right now” on a daily basis, according to the streaming service. A Dutch song, We Say No, No, No to an Asylum Center, an anti-migrant anthem by JW “Broken Veteran” that protests against the creation of new asylum centers, took the top position in Spotify’s global version of the viral chart around the same time. Breaking Rust also appeared in the top five on the global chart.

These three songs are part of a flood of AI-generated music that has come to saturate streaming platforms. A study published on Wednesday by the streaming app Deezer estimates that 50,000 AI-generated songs are uploaded to the platform every day – 34% of all the music submitted.

  • ExLisper@lemmy.curiana.net
    link
    fedilink
    English
    arrow-up
    13
    arrow-down
    2
    ·
    5 hours ago

    Yes, masses like simple shit. Fast food, superhero movies and simple tunes with easy to understand lyrics.

  • Treczoks@lemmy.world
    link
    fedilink
    English
    arrow-up
    12
    ·
    8 hours ago

    If AI generated slop raises to the top of the charts, it tells a lot about the perceived quality of the human-made slop there.

    • SpookyBogMonster@lemmy.ml
      link
      fedilink
      English
      arrow-up
      35
      arrow-down
      1
      ·
      10 hours ago

      It literally is. Human beings aren’t listening to this music. The huge numbers are coming from bots.

      The AI slop bros are making the Dead Internet theory real, to artificially inflate their value.

    • FaceDeer@fedia.io
      link
      fedilink
      arrow-up
      5
      arrow-down
      43
      ·
      14 hours ago

      Unless you enjoy music regardless of whether it’s AI generated, in which case the future’s going to have way more options.

        • Treczoks@lemmy.world
          link
          fedilink
          English
          arrow-up
          8
          arrow-down
          10
          ·
          8 hours ago

          Human slop isn’t, either. The issue is that AI slop seems to top human slop now.

          • wizblizz@lemmy.world
            link
            fedilink
            English
            arrow-up
            4
            ·
            2 hours ago

            The absolute worst human art is better than the best machine art, because art is exclusively human.

            • Treczoks@lemmy.world
              link
              fedilink
              English
              arrow-up
              1
              ·
              46 minutes ago

              because art is exclusively human.

              Which is a rather weak redeeming quality. I hate AI generated slop, but that does not excuse the existence of human generated slop. My argument is not “see how good AI is”, but “see how much human creativity has fallen”.

            • FaceDeer@fedia.io
              link
              fedilink
              arrow-up
              1
              arrow-down
              9
              ·
              7 hours ago

              When you watch a movie with computer-generated special effects, are you happy watching a lie?

              • bramkaandorp@lemmy.world
                link
                fedilink
                English
                arrow-up
                9
                ·
                edit-2
                6 hours ago

                The movie doesn’t pretend that the main character has really jumped from a cliff onto a ship.

                It isn’t lying.

                • FaceDeer@fedia.io
                  link
                  fedilink
                  arrow-up
                  1
                  arrow-down
                  6
                  ·
                  5 hours ago

                  There are plenty of movies where the CGI is creating elements that could well be real, like people or buildings. There was a movie recently where rather than go through the legal hassle of having live horses on set they just CGIed every last shot that contained a horse, even if they were just standing around in the background. You’ve no doubt watched plenty of CGI imagery that you had no idea was CGI. It looked good, that was all.

              • rammer@sopuli.xyz
                link
                fedilink
                English
                arrow-up
                1
                ·
                5 hours ago

                It is a question of authorship. What I don’t approve of is zero effort AI slop. But the use of CGI in movies is OK because it serves the vision of the director. The usage of samples in music is OK if the use is transformative. Autotuning is pushing it but can be OK if use is limited or transformative. Even AI tools can be OK if authorship remains human. But an end-to-end pipeline of endless soulless AI generated slop is not OK. So it is very a question of degrees. AI generated/authored works should be labelled as such. Also the label should contain the degree to which AI was used. Not simply an either/or tag.

      • etherphon@lemmy.world
        link
        fedilink
        English
        arrow-up
        40
        ·
        14 hours ago

        I’m a musician, so, it’s all fucking garbage. But people don’t care how their music is made just like they don’t care what’s in hot dogs, so enjoy your soul less shit music.

  • tornavish@lemmy.cafe
    link
    fedilink
    English
    arrow-up
    29
    ·
    17 hours ago

    I like to not get music advice from charts. I don’t think I’ve heard AI music. I’m going to not look for it.

      • KoboldCoterie@pawb.social
        link
        fedilink
        English
        arrow-up
        12
        arrow-down
        2
        ·
        15 hours ago

        Serious question: Let’s say you hear a song on Spotify, and you like it, add it to your favorites, etc., then later find out it was AI. Do you stop enjoying it? If so, why?

        • andrewta@lemmy.world
          link
          fedilink
          English
          arrow-up
          22
          arrow-down
          2
          ·
          14 hours ago

          I’d stop listening to it in simple protest. I want to hear music made by people. I have no interest in ai crap. If we keep allowing ai then the real artists will cease to exist. The young people won’t pursue a career in music. Why would they?

          F ai

          • KoboldCoterie@pawb.social
            link
            fedilink
            English
            arrow-up
            3
            arrow-down
            17
            ·
            14 hours ago

            The young people won’t pursue a career in music. Why would they?

            MIDI didn’t stop people from playing instruments. Digital art didn’t stop people from painting. AI can’t put on live performances.

            Don’t get me wrong, I don’t like AI taking peoples’ artistic jobs any more than anyone else, but I do think this is a bit of an extreme take.

            • SaraTonin@lemmy.world
              link
              fedilink
              English
              arrow-up
              2
              ·
              6 hours ago

              Hatsune Miku has been putting on live performances for decades. There’s no reason at all why an AI-generated musical act couldn’t too.

            • psx_crab@lemmy.zip
              link
              fedilink
              English
              arrow-up
              11
              arrow-down
              1
              ·
              13 hours ago

              It makes indie scene significantly harder to get into. For every mildly successful indie artist, there’s thousands of those who failed to break into the scene, now they have to compete with not only their competitor that is more famous than them, they have to compete with 0 effort music from 0 effort producer. It kinda like how game dev is getting harder and harder to get into, as the competition is getting tougher and people expectation is getting higher, even though they don’t have to compete with AI slop that plays and looks like a Ubisoft game yet.

              Of course, people who persevere or talented will eventually pops up from the sea of slop, as vocaloid doesn’t kill japanese indie scene. But then vocaloid is entirely different thing than what the current AI issue is.

              • andrewta@lemmy.world
                link
                fedilink
                English
                arrow-up
                11
                arrow-down
                1
                ·
                14 hours ago

                And that’s the point. Ai means basically no one is getting paid. But the industry is making money.

                F ai

                • wizblizz@lemmy.world
                  link
                  fedilink
                  English
                  arrow-up
                  2
                  ·
                  44 minutes ago

                  And also, the point is to delete the artist. Artists are problematic; they are anti-establishment, opinionated, queer, vocal. Your billionaire overlords want to silence that, by replacing you with a machine.

        • brutalist@lemmy.world
          link
          fedilink
          English
          arrow-up
          17
          arrow-down
          1
          ·
          15 hours ago

          I would. I have a difficult time separating art from the artist and couldn’t currently bring myself to willingly listen to AI music. Mostly because it’s a soulless conglomeration of what “good music is supposed to sound like” rather than art created by an actual human who has something to say. But to be fair, I feel the same about any pop or country hit that is churned out for the sole aim of getting a hit.

        • ZILtoid1991@lemmy.world
          link
          fedilink
          English
          arrow-up
          1
          ·
          8 hours ago

          The horrific actions of Ian Dankins made me unable to listen to Lostprophets songs, so if I don’t immediately spot the “underwater” quality of genAI songs…

  • tal@lemmy.today
    link
    fedilink
    English
    arrow-up
    23
    ·
    edit-2
    18 hours ago

    Note that I submitted a San Francisco Chronicle article about this yesterday. One thing that came up during the discussion is that while there may be a lot of people streaming the song on Spotify, at least according to one source, the Billboard chart that was topped was a small-volume one, so it may not be as significant as it sounds.

    https://lemmy.today/post/41573347

    • CmdrShepard49@sh.itjust.works
      link
      fedilink
      English
      arrow-up
      26
      ·
      18 hours ago

      Volume aside, I find Billboard charts equivalent to JD Power awards as they’ve always been rigged via payola schemes and the fact that nearly the entire nation’s radio stations are owned by a single company iHeartRadio/Clear Channel. The music industry is picking winners and losers not the listening public.

      This may be different with streaming but that platform makes it really easy to rig the system with bots.

    • tal@lemmy.today
      link
      fedilink
      English
      arrow-up
      2
      arrow-down
      4
      ·
      edit-2
      15 hours ago

      Also, I think the less interesting question is where it is today and more where it’s going to be in, say, five years, if you figure that development continues.

      And might be possible to explore more long-tail stuff if production costs drop, or even do stuff customized to a single listener. I mean, we can’t economically have humans do that.

      • mriormro@lemmy.zip
        link
        fedilink
        English
        arrow-up
        2
        ·
        6 hours ago

        Oh yeah? Tell me more about the long tail. Do you have a pitch deck you can show me?

        God, I fucking hate this shit.

        • tal@lemmy.today
          link
          fedilink
          English
          arrow-up
          1
          arrow-down
          3
          ·
          edit-2
          5 hours ago

          Do you have a pitch deck you can show me?

          What?

          The “long tail” refers to niche areas with only a few people who want something in a market. It’s talking about the graph of a distribution of potential consumers for something.

          Like, there’s normally a lot of people interested in a few things. You can sell a blockbuster to them. But then there’s this long tail of people interested in small, niche areas. If you can bring more of them together or reduce production costs, it starts to be viable to make things for them as well. The Internet is often described as bringing people with those niche interests together, so that people on that long tail become numerous enough to make something for. Bringing down production costs has the same sort of effect.

          https://en.wikipedia.org/wiki/Long_tail

          In business, the term long tail is applied to rank-size distributions or rank-frequency distributions (primarily of popularity), which often form power laws and are thus long-tailed distributions in the statistical sense. This is used to describe the retailing strategy of selling many unique items with relatively small quantities sold of each (the “long tail”)—usually in addition to selling fewer popular items in large quantities (the “head”).

          The long tail was popularized by Chris Anderson in an October 2004 Wired magazine article, in which he mentioned Amazon.com, Apple and Yahoo! as examples of businesses applying this strategy.[7][9] Anderson elaborated the concept in his book The Long Tail: Why the Future of Business Is Selling Less of More.

          Anderson cites research published in 2003 by Erik Brynjolfsson, Yu (Jeffrey) Hu, and Michael D. Smith, who first used a log-linear curve on an XY graph to describe the relationship between Amazon.com sales and sales ranking. They showed that the primary value of the internet to consumers comes from releasing new sources of value by providing access to products in the long tail.[10]

          Before a long tail works, only the most popular products are generally offered. When the cost of inventory storage and distribution fall, a wide range of products become available. This can, in turn, have the effect of reducing demand for the most popular products.

          Some of the most successful Internet businesses have used the long tail as part of their business strategy. Examples include eBay (auctions), Yahoo! and Google (web search), Amazon (retail), and iTunes Store (music and podcasts), amongst the major companies, along with smaller Internet companies like Audible (audio books) and LoveFilm (video rental). These purely digital retailers also have almost no marginal cost, which is benefiting the online services, unlike physical retailers that have fixed limits on their products. The internet can still sell physical goods, but at an unlimited selection and with reviews and recommendations.[31] The internet has opened up larger territories to sell and provide its products without being confined to just the “local Markets” such as physical retailers like Target or even Walmart. With the digital and hybrid retailers there is no longer a perimeter on market demands.[32]

          You have to have at least a certain number of potential sales before it becomes worthwhile for a human to address a niche. If the cost falls, then new niches become viable to sell to. So now you can make, say, R&B aimed specifically at teenage female Inuits or something.

          • mriormro@lemmy.zip
            link
            fedilink
            English
            arrow-up
            4
            ·
            4 hours ago

            Boy am I a slut for patronizing MBAs. You learn all that at Deloitte, paper boy?