You want mpd to server and play the music, connected with a web front end (there are a few to choose from) accessible on the private store wifi. You should probably serve this frontend only to a certain machine on the network (like the managers computer in the back) and lock everything else out. The last time I ripped CDs on Linux I used whipper, which I believe was the successor to morituri. This is all only legal if the CDs they have already included the licensing fees to play them publicly or are themselves freely licensed. There are sources of freely licensed music out there that you can play publicly without paying.

The article is saying that these sharks aren’t really sharking though. The sharks behavior has been changed by environmental factors (regular human feeding and humans raising the local sea temperature by dumping warm water from the desalination plant).

1. Sharks are attracted by usually warm water from desalination plant.
2. Tourist guide boats start chumming the waters to keep the sharks around for tourists.
3. The attraction of so many mostly harmless sharks changes their feeding dynamic. Ever tried eating an ice cream cone near a small child? Ever tried pushing an ice cream cart through a crowd of small kids? Way different dynamic as supply and demand changes as the crowd grows.
4. Formerly mostly harmless and “shy around humans” sharks start directly approaching humans as a source of food.
5. Sharks investigate human, beg for food. How do sharks investigate? By biting, nibbles really, or bumping into people swimming.
6. The first bite generates a predictably violent reaction from the humans, which triggers a feeding frenzy response. Humans aren’t equipped to defend or escape this.

The point is that at every step of the way, these sharks are acting in a very strange way (for them) as a direct result of human action. We’ve seen this kind of thing before when people feed wild animals, strange and dangerous human seeking behaviors develop: alligators, bears, moose, etc. Dangerous animals? Yes, but the behaviors that result in human deaths are in no way natural.

I guess they couldn’t get it suspended long enough to get a measurement from the crane itself?

That’s not very helpful for connecting family, friends, and especially grandma.

Jellyfish cannot to setup to securely and safely be exposed to the Internet. It is only safe to access through a VPN. That rules it out as an option for sharing with friends, family, or even my own spouse. You call it phoning home to the mother ship; I call it paying Plex to manage user authentication for me. Until Jellyfin’s security holes are patched and it becomes clear that the Jellyfin developers actually care about security, it stays locked down to my LAN. Setting up a VPN is difficult for the average user on a good day, impossible in some circumstances on even the best of days, and is not access I want to hand out (and support) to all the people I share my Plex with anyway.

So edgy.

If someone wrote this article in the early 90s, it would be called “Why I ditched the radio, and how I created my own CD collection.” I think rephrasing it that way really shines a light on why it’s mostly still comparing apples and oranges.

I have a pretty substantial collection of music hovering around 5,000 albums or 1.6TB (mostly lossless FLAC these days, but still some moldy old mp3s and ogg vorbis files from my youth). I’m not even counting the physical media I still hold on to. I still use Spotify for discovery and playlists. I don’t think the depth and breadth of my library will ever match the depth and breadth of the music that I want to listen to in the very next moment. Lots of times I want to listen to the stuff I’m familiar with, and I do that using my own library. But, when I want to: remember a song I heard in the wild, share a holiday playlist with friends, make an obscurely themed playlist of songs features peaches, preview a musician’s or band’s stuff, discover other things that musician has collaborated on, or simply discover new music; I still use Spotify.

There are (or were) bits and pieces out there (many that pre-date Spotify) that can do some of these things. Last.fm (fka Audioscrobbler) was good for tracking listening habits to compare and share with others, it helped a little with discovery. I used allmusic.com a lot long ago to discover the artists that inspired the artists I was listening. If I wanted to share a playlist, I made a mixtape (really it was burning a mix CD). But, all of these collected information only, not the music itself. If I wanted to actually hear a new song, I had to go somewhere and find it first. That often meant literally traveling somewhere else or ordering from a catalog and waiting for delivery. Every new music discovery was a bet made with real dollars that I would actually enjoy the thing or listen to it more than once. Even after napster paved the way for free listening via piracy, one still had to work to actually find the music.

Spotify (and similar services) finally collected (almost) all of it under one app, so that I could discover and listen seemlessly. It is instant gratification music discovery. I’ll never give up my self hosted collection, but I also don’t have much hope that any self curated collection will be able to complete with the way that I use Spotify. Spotify is just the new radio. It’s never the end of my listening though. Just like with radio, when I find something I like enough, then I can expend the energy (or more often expend the money as directly with the band as I can) to add it to my collection.

Plexamp has gotten better lately. It can save your progress on audiobooks now. It’s a per library feature, so I have one library of music (that does not save progress) and one for audiobooks (that does save progress). I used to have trouble with some audiobook formats (M4Bs needed to be converted (really just renamed) to mp4s, but that wasn’t necessary for the last few I loaded. Plex still has a little trouble with standards around multiple authors and different productions (and different readers) of a single book, but that’s more of an ID3 tag problem and is resolved if you’re consistent in normalizing the tags on your library. I’ve also used the syncing features a bunch for offline time (like on a plane or on long trips). For a large library, I see syncing offline files as a necessary feature.

And before the Jellyfin fanboys chime in, if Jellyfin could match these audio and syncing features (and be easier to setup for access outside my LAN and sharing with family), I jump ship in a heartbeat.

“pretty easy” is a bit of a stretch

Songs are cheap. Ever heard of buying something for a song?

It’s because that recording industry, the RIAA vs. the MPAA, has had a stranglehold on the industry and artists for much longer. They are much better at exploiting artists while paying them next to nothing.

Mpd + a frontend of your choosing, I prefer ncmpcpp, will run on just about anything and is remotely controlled through apps or ssh. Mpd is great when the server is physically connected to the audio output device. I use it to remotely control a speaker connected server that can also run Plex (because I prefer plexamp for streaming and syncing to my phone, other android devices, and smart speakers). They both look at the same directory of a collection near 30 years in the making with hundreds of thousands of files and a wide array of formats.

Who is out there wiping their ass with %100 ethanol?

Hardlinking files to their new destination and your normalized naming schema. Using symlinks would be madness.

It’s a lot easier to setup and get non-techy family to join. Setting up Jellyfin is easy until you want access outside your LAN. Setting up TLS or a VPN is a hassle I don’t want unless there is no other option. Plex has features I (and my family) use that jellyfin doesn’t support by default yet. Last I checked syncing of files for offline viewing in the official app wasn’t very good yet. Plex has a bunch of ad supported live streams baked in that aren’t too bad. There is a “How It’s Made” channel, a Mythbusters channel, and Top Gear channel. PlexAmp isn’t perfect, but it’s better than any of the Jellyfin options I’ve seen.

I like your schema. I’ve used something similar. My hosts have always been sci-fi space/time ships/stations, user accounts are characters from or Captain’s of said vessels. Over the years I’ve had a TARDIS, Serenity, Moya, Out of Bands II, Galactica, Millennium Falcon, Rocinante, etc. It’s usually whatever I happen to be discovering or binging at the time I setup the machine. For nearly a decade the TARDIS was my server/NAS because it was bigger on the inside that survived through several generations of smaller devices like laptops and raspberry Pi’s named after smaller lighter vessels like Serenity and Rocinante.

Ah yes, the modern day equivalent of recording radio broadcasts to magnetic tape. Made a few mixtapes that way myself. They were absolute garbage quality and I never listen to them anymore, but it was an interesting exercise and my only option for some stuff at the time.

Now I just buy as directly from the artist as I can for things that are rare enough that they are difficult to pirate.

PCs are already modular though, and have been for basically the entire time people have used the term, unless you buy them from a vendor like Dell or HP. This article isn’t about Intel creating some new universal standard, it’s about Intel creating yet another competing standard (that they control) so they can get in on the vendor lock-in party.